The past 3 years he has been playing and recording in Ibiza during summer and spending the winters in India, performing, recording and getting inspired by Indian and other musicians. In 2004 he made the album “Call of the Mystic” together with different musicians in an ethno/ambient style. There he met many other musicians, DJ’s and producers who inspired him to change his style. After living and performing in India for a long period, he discovered the island of Ibiza in Spain in 2003. His first album “Sama” was released in 1997 in Holland. Besides the Santoor, he started to play the Persian Settar and the Ney a Persian bamboo flute. Bahram’s instrument is the Persian Santoor, a traditional string instrument, which is said to create the sound of emptiness. He melts old songs into a new form, creating a meditative sphere, to uplift body and soul. Through playing whirling music for wanderers from different cultures, his style has changed from the traditional approach to his own. In 1977 he left Persia, studied and travelled in India and later on in Europe.
At the age of 13 he learned to play the Santoor and started to perform at several places in his hometown. As a child he heard the ancient Sufi melodies, which are the inspiration for his music today. ( )īahram was born in 1952 in the Kurdish city of Kermanshah in Persia. “Good dreams would be allowed to filter through… Bad dreams would stay in the net, disappearing with the light of day.” Good dreams would pass through and slide down the feathers to the sleeper. Some believe that dreamcatchers can change a person’s dreams. I believe they originate with the native tribes of North America. Such was the case with Dreamcatcher.Ī dreamcatcher as I knew of it was a charm to protect sleeping people from bad dreams or nightmares.
Later I look to see who is the composer(s) and try to learn everything about them.
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